I spent 40 years reading rooms for a living. Now I play the people in them. And sometimes, I write the rooms myself.

My path to acting and screenwriting has been anything but conventional. I've been a soldier, a teacher, an attorney, and a corporate executive, working with people from all walks of life and across four continents. Along the way, I've learned that human nature is endlessly fascinating, frequently contradictory, and occasionally downright absurd.

I bring those experiences to my work as both an actor and a screenwriter. I'm drawn to complicated characters, difficult choices, dark humor, and stories that challenge our assumptions about who we are.

As an actor, I've appeared in independent features spanning horror, drama, and comedy. As a screenwriter, I've completed three original feature screenplays: August Chatham, a Southern Gothic horror story; The Lower Network, a speculative science-fiction thriller; and Mescaline Marmot, an absurdist comedy about identity and corporate bureaucracy.

Different genres, certainly. But all three explore something that has interested me throughout my life: what happens when people confront a world that doesn't behave the way they think it should.